The Neon Demon review; The figment is the flesh

I’m afraid auteur might even be an understatement for Nicholas Winding Refn. His first major film is¬†his only universally appreciated film. Every major work since has been a cosmos of stylistic violence and stark imagery. Maybe it’s because of his partial colour-blindness and the way he that he compensates his art for himself. ¬†Visually, it’s…